The Dire Straits Hit That Bassist John Illsley Compared to a Misunderstood Picasso

By Melanie Davis

The Dire Straits Hit That Bassist John Illsley Compared to a Misunderstood Picasso

Oscar Wilde once claimed, "Life imitates art far more than art imitates life," but when it comes to this classic Dire Straits hit, we (and bassist John Illsley) would argue that life and art can act like two perfect mirror images of each other. The band's career-defining hit came together through a string of random coincidences, a dash of good luck, and plenty of hard work.

According to Illsley, the fact that anyone would assume otherwise is a testament to Dire Straits frontman Mark Knopfler's songwriting abilities, which the bassist compared to Picasso.

Dire Straits achieved their greatest commercial success with the release of their fifth studio album, Brothers in Arms, in June 1985. The second single from the album, "Money for Nothing," skyrocketed to the top of the U.S. Billboard Hot 100 chart, where it would remain for three weeks. The band took home the Grammy Award for Best Rock Performance by a Duo or Group with Vocal and two nominations for Record of the Year and Song of the Year the following February. The tongue-in-cheek track had become enshrined in the band's musical legacy.

"Its title is ironic," bassist John Illsley later mused to The Guardian in April 2025. "We'd been working solidly for years to get to that point. But everybody viewed us from the outside. Like, 'Oh, look at them, that ain't working. That's just money for nothing, and they get the chicks thrown in for free.' But it was a bit like Picasso. When he'd do a quick drawing for someone and people would say, 'That only took you ten seconds.' And he'd say, 'No, it took me forty years.'"

Knopfler's opening riff was the perfect example of this type of effortless expertise. "It's funny," Illsley said. "When other guitarists try that riff, they play all the right notes but don't get the feel." One could contribute some of this difference in tone to whether the "other guitarists" were using a pick, as Knopfler famously prefers fingerstyle. But an even greater possibility is that the skills Knopfler did "easily" came after years of effort.

In an impressive turn of events, Dire Straits created their biggest hit through a series of random encounters and strange coincidences. Mark Knopfler wrote most of the song eavesdropping on a man he described as a "big bonehead," who was dropping off appliances at a New York store where Knopfler was shopping. "All the TVs were tuned to MTV. I overheard this guy sounding off about the rock stars on the screens," Knopfler told The Guardian. "Some of his lines were just too good to be true. The bells were going off in my head."

After scribbling the lyrics to "Money for Nothing" on a scrap piece of paper in the appliance shop, Knopfler began thinking about how he would like to incorporate MTV into the song. "I'd seen the Police on the MTV channel saying the phrase, "I want my MTV." But they also had a song called "Don't Stand So Close to Me." So, I put "I want my MTV" to that melody and included it at the start." Months later, while recording the track in Montserrat, someone informed Knopfler that Police bassist Sting was vacationing on the island where they were recording. They invited Sting over, and he tracked his iconic opening.

Even Knopfler's driving guitar tone in the song's introduction was a happy accident. According to Illsley, "A microphone got knocked to the floor in front of the speaker. It changed the sound completely." Oscar Wilde might have had a compelling argument when he first claimed that art informed life more than the other way around, but the Dire Straits' massive mid-80s hit shows that sometimes, the two inform each other in perfect, chart-topping, real-time harmony.

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